Satruday Poem #3 – Oh God, Fuck Me

This poem may seem like an ugly tease at our recently updated Blasphemy laws but I find it saucily life-giving and intellectually stimulating! Funny as hell too, oh, and clever. A conceptual poem. Schwartz has a real talent for writing about sexual truths, and women’s sexual desire in particular, with a heady level of explicitness. More power to her elbow, I say. Down with repression and all who ride in and around her!

Oh God, Fuck Me (by Ruth L. Schwartz)

Fuck me, oh God, with ordinary things
the things you love best in the world –

like trees in spring, exposing themselves,
flashing leaf buds so firm and swollen

I want to take them in my mouth.
Speaking of trees, fuck me with birds

say, an enormous raucous crow,
proud as a man with his hands down his pants,

and then a sparrow, intimately brown,
discreet and cautious as a concubine.

Fuck me with my kitchen faucet, dripping
like a nymphomaniac,

all night slowly filling and filling,
then overflowing the bowls in the sink-

and with the downstairs neighbour’s vacuum,
that great sucking noisy dragon

making the dirty come clean.
Fuck me with breakfast, with English muffins

the spirit of the dough aroused
by browning, thrilled by buttering.

Fuck me with orange juice,
its concentrated sweetness,

which makes the mouth as happy as summer,
leaves sweet flecks of foam like spit

along the inside of the glass.
Fuck me with coffee, strong and hot,

and then with cream poured into coffee,
blossoming like mushroom clouds,

opening like parachutes.
Fuck me with the ticking

clock, which is the ticking
bomb, which is the ticking heart –

the heart we heard in the first months,
in the original nakedness,

before we were squalling and born.
Fuck me with the unwashed spoon

proud with its coffee stain –
the faint swirl of a useful life

pooled into its center, round as a world.

****************************************

Ruth L. Schwartz is the author of four award-winning books of poetry and a memoir: Dear Good Naked Morning, selected by Alicia Ostriker for the Autumn House Poetry Prize (Autumn House, 2004), Edgewater, selected by Jane Hirshfield as a 2001 National Poetry Series winner (HarperCollins, 2002); Singular Bodies (Anhinga Press, 2001), winner of the 2000 Anhinga Prize for Poetry; Accordion Breathing and Dancing (University of Pittsburgh Press, 1996), winner of the 1994 Associated Writing Programs Award; and Death in Reverse: A Love Story (Michigan State University Press, 2004).

She’s won over a dozen national literary prizes, including two Nimrod/Pablo Neruda Awards, two Chelsea Magazine Editor’s Awards, the North Carolina Writer’s Network Randall Jarrell Prize, and the New Letters Prize in Poetry. She has received grants from the NEA, the Ohio Arts Council, and the Astraea Foundation. Her poems have been anthologized in The World in Us: Lesbian and Gay Poetry of the Next Wave (St. Martin’s Press, 2000), American Poetry: Next Generation (Carnegie-Mellon University Press, 2000), The New Young American Poets (Southern Illinois University Press, 2000), and elsewhere.

Born in 1962 in Geneva, New York, Ruth spent her childhood and early adulthood moving around the country. She received a B.A. in Women’s Studies and Writing from Wesleyan University, an M.F.A. in Creative Writing from the University of Michigan, and a Ph.D. in Transpersonal Psychology from the University of Integrative Learning. The San Francisco Bay Area has been Ruth’s chosen home since 1985; she’s also travelled extensively in Latin America, and speaks fluent Spanish.

About junecaldwell

June's short story collection Room Little Darker is published by New Island Books in May 2017. She's a prizewinner of The Moth International Short Story Prize and has been shortlisted and highly commended for many others including: Calvino Prize in Fabulist Fiction, Colm Toíbín International Short Story Award, Sunday Business Post/Penguin short story prize, Lorian Hemingway (USA), RTÉ Guide/Penguin Ireland and Over The Edge New Writer of the Year. In 2010 she received an Arts Council of Northern Ireland (ACNI) bursary for fiction. Her work has been showcased at the Italo-Irish Literature Exchange in Nogarole Rocca / Verona (May 2012), Read For The World (June 2012) and Bloomnibus (June 2013) at the Irish Writers' Centre, Galway Pro Choice (Aug 2013), Over the Edge Galway (Dec 2013), Stinging Fly Spring Launch (March 2014), At The Edge, Cavan (May 2014), The Winding Stair Prizewinner's Reading (Sep 2014), One City One Book: DLR Lexicon Barrytown Trilogy reading (April 2015), Hodges Figgis Book Festival (Oct 2015), Bogman's Canon Fiction Disco (Nov 2015, April 2016), Doolin Writers' Weekend (March 2016), Five Lamps Arts Festival (Mar 2016), National Concert Hall: Kevin Barry Recital Room series (April 2016) and the Eastrogen Rising: A Rebel Cabaret. Her creative writing has been published in Woven Tale Press, The Moth, The Stinging Fly, Literary Orphans and Popshot, as well as a non-fiction biography of a Trouble's moll with Gill and MacMillan in 2006. Her short story 'SOMAT' is published in The Long Gaze Back: The Anthology of Irish Women Writers, edited by Sinéad Gleeson/New Island. Journalism: The Gloss, The Guardian, The Observer, Sunday Times, Sunday Life, Sunday Tribune, Sunday Business Post, Sunday Independent, Ireland on Sunday, Irish Independent, as well as a number of women's magazines and trade journals.

Posted on June 25, 2011, in Interesting to know, Poetry, Popular Culture, Radical, Sex and tagged , , . Bookmark the permalink. Leave a comment.

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