Last of the Eastrogen Rising!

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Last year after the publication of my short story SOMAT in The Long Gaze Back, I was asked to contribute to various events and public readings. I decided to say a big resounding YES to anything I was asked to write/do as an important part (for me) of being a writer is taking on the challenge of reading in public. I took part in a lot of fun events, the Barrytown Trilogy Readings in Dun Laoghaire when Colm Keegan was Writer in Residence, The Bogman’s Canon Fiction Disco, Staccato, National Concert Hall, among others. (Next Monday: 7th November, I’ll be reading a new short story at The Monday Echo at The Mezz in Temple Bar. It kinda never stops! What I learnt was that writing for public readings demands a different type of narrative, one that is less complex than, say, a short story for the page, where the reader is deliberately left thinking about what is inferred – particularly with story endings – and instead these pieces should concentrate on entertaining the audience in the moment. You have about ten minutes to make yourself understood in these kind of settings. You can do this by concentrating more heavily on dialogue, making stories easier to comprehend and to the point. Who are the main characters, what’s going on, what happens them, what changes. Simple! When I was asked to take part in the Eastrogen Rising as part of the Five Lamps Festival I wanted to write about an ‘unknown’ woman who was caught up in the Rising in some way. Lots of ordinary Dubs were left short of vital supplies (no fridges, people shopped daily for their grub) and forced to loot in order to feed their families, it’s believed now that this is how a lot of the kids who got caught up in the gunfire, died. As reported in the Irish Examiner last March, most of the looting took place in the first three days, amid the crossfire between the rebels and the British, but before the fires took firm hold in the central streets. Lower Sackville St was a focal point, with clothes, sports, and toy shops proving popular. Noblett’s and Lemon’s confectioners shops were looted for chocolates and sweets; the toffee axe may have come from one

A cast iron toffee axe — normally used to break up large slabs of toffee in confectioner shops — became a weapon in the hands of a looter in O’Connell St. © Irish Examiner

A cast iron toffee axe — normally used to break up large slabs of toffee in confectioner shops — became a weapon in the hands of a looter in O’Connell St. © Irish Examiner.

of these. The Cable Shoe Company had its windows smashed, and contemporary newspapers reported that people were seen trying on boots and shoes, and returning for another pair if the first selection failed to fit correctly. I tried to imagine a woman whose husband was a bit of an eejit, he desperately wants to pick off some of the glory for himself any way he can while she’s left at home with some leftover veg and a baby to look after, until her friend Molly calls around and takes her looting. This show is running for the last time on December 3rd at the Annesley House in North Strand as the 1916 commemorations come to a close. It’s a fast-paced celebration of those women, from Constance Markievicz to the messenger girls, the ordinary housewives and the widows of the executed men. The multi-media show includes songs, poetry, spoken word, theatre pieces, video and recorded soundscapes. Fireworks taken from Lawrence’s Photographic and toy emporium on Sackville Street opposte the GPO were thought to have been responsible for much of the fires in that part of the city centre. It was these fires, started by looters that spread from building to building, which caused the massive destruction. Here’s my short fiction piece from the show that was Highly Commended for the The Colm Toíbín International Short Story Award. Read it fast in a flat Dub accent or come to the show in December to hear me read it instead! Tickets are available at the door on the night…

Eejit Rising  

‘A woman of set purpose’, he says, ‘In these stirring times Kathleen, it’s no worse a thing you could be.’ ‘Ah right’, says I, ‘Everyone lays a burden on a willing horse Jimmy, but not every Irish woman is Maud Bloody Gonne’. He flicked the baby’s snot in the fire, and prepared to leave, carrying a piece of chair leg with him. That’s what I loved about Jimmy; he could suck out the clogged pipes of a bairn in one hand, and take on the might of the oppressor with a bit of wicker in the other, and still be home in time for a shindig supper. ‘You’re not listening, it’s on for certain’, Jimmy says, ‘The rebellion, it’s full steam on’ – the whooping outta him – ‘D’ye hear me Kathleen? It’s STARTED!’

A fella shot hoisting a flag high above City Hall…crowds gathering up around Sackville Street, fixed bayonets, people digging trenches, fires scorching from pinched fireworks, running in all directions they were. ‘Pray for me darling Kathleen, that I arrive back safe in your bosom’. As last words, no less dramatic than his ideals. ‘I will,’ I says, looking at the half a sausage, butt of carrot and scabby onion on the table, that, along with a sly sup of water, was going to magic into this week’s dinner. ‘I’m hoping for all our sakes you do come back love,’ I says. ‘Not least of all so I don’t have to explain to your employer up at the Royal Barracks that they’ll have to get a new shit shoveller when your turnip gets blown off.’

That’s what got me in all this. Half dem fellas worked for the Empire or were away fighting into the afterlife for it. It’s not like we didn’t know how bad things were at home, but how would a Republic make our lives any different? We all knew scrabblers stuck in Tenements with just one flushable piss pot for twenty people! Sickness streaming down bannisters along with the dark lung. I saw a nipper feeding two childer a wet cloth to stave off the hunger, sucking a corner each, another cradled on the stone stairs in a half rag, brown smeared down the walls would turn the guts of a carthorse. A day here a day there down the docks when it came to work. I don’t mind tellin’ ye, all across the country, the men were drunk and the women were angry.

Out the door I see him swaggering towards Sackville Street to the GPO where a ‘certain comrade’ has confided in him the Big Barney is really kicking off. But knowing Jimmy, at the first sound of gunfire, he’ll drop the wood and slip down a side street until he’s at the back of The Gresham, heading north till he can knock up a couple of his cronies holed up in some kip near Dorset Street. Saluting two flags his new Citizens’ Army chums assure him will be flying on either side of the post office before he beats a sneaky retreat. Ah sure he’ll tell himself that he’s already ‘done his bit for the cause’, chucking four Lee Enfield rifles over the wall and into a blanket the rebels have spread out on the outside of the barracks. Humming ‘God Save Ireland’ until it’s drowned by the clatter of horses hooves of the British cavalry and the crick-crack of bullets whizzing to and fro. No problem to him to whistle a grand patriotic tune right up until he’s at the boarding-house overlooking the Royal Canal, hammering on the door until those bowsies let him in and invite the chancer to their card school. It’s well I remember Palm Sunday when he squandered the wages including pennies his newfound friends from Liberty Hall handed him for services rendered in the name of the Irish Republic.

It was a bitter night in January when he first brought Maud Gonne – who I later named ‘When is she gone?’ and Connolly to our lodgings. ‘Jesus Kathleen, the neighbours would be flabbergasted if they realised our company tonight!’ Jimmy said. I was flabbergasted as he expected me to have tea and brack, a drop of porter, fat logs on the fire and whatever else, and her with an accent you’d only hear back from a wall at a séance. ‘Such pretty little houses are these,’ Maud said, taking her bonnet and swishing it about her nostrils which were halfway up in the air trying to get away from the fish heads on the table. ‘And yet the enemy is intent on the wholesale destruction of these little habitats with their big brutish battering rams.’ Jimmy all impressed at her mouth swagger. ‘You should try living in one of these little houses Maud,’ I says. ‘That’s about the best way to know what you’re talking about.’ And as for Connolly! He sat there smoking a pipe like an American Indian, saying beautiful nought.

Jimmy is out prowling them streets, trying to get himself noticed with that chair leg. He couldn’t even do the decent thing and find himself a pike. There’s a rap at the window; the plump frame of Molly Gilroy crowned with a feathered hat beyond the pane. No, she won’t stop for a sup she says, when I come to the door to let her in. She’s swinging a box with twine over it dangling on her arm all excited and nodding her head to show off the fancy thing on top of her hair and a fox stole sporting an oversized head choking her neck-line.

‘They were just lying there among the mannequins in the smashed up shop and I says to myself I says ‘Go on Molly girl, now’s your chance. Even Edward’s war pension if he was to take one for King and Empire over in France would never get you into a place like this.’ Dublin’s difficulty is Gilroy’s opportunity…and yours too Kathleen,’ Molly shrieks as the booms and the bangs go off in the distance. I grab my shawl, stick the baby in his crib at the chimney and run out after her.

Molly has one hand on her hat and the other on her hip as she tea dances all the way down to the Liffey and back up as far as the shops near the bridge with their gouged-out fronts and broken glass. Oh God those Brit boyos are not going to be put off by troops of giddy blackguards swinging hurleys and anything else they can muster. Our lot are stupid as half-reared pigs with torn ears. There’s little left to scavenge when we get near Noblett’s sweet shop as all the ragged kids are wearing oversize boots and showing off stroked rings on their fingers. One lad is parading around in a liberated Aran suit from Clery’s while a jug-eared Monsignor from the Pro-Cathedral is clipping the neck of a scamp who has a box of Everton Toffees under his arm and who wont let go of his booty.

‘Take yer hand away from that chisler Father or I’ll have ya!’, Molly Gilroy bellows as she points to a green tweed cape lying amid slivers of glass outside Clery’s pavement. ‘Has there been anymore of our ones taken?’ says I to an old white head sticking out of a wool blanket in a doorway. ‘What’s all this for?’ he crackles back, looking more the worse for wear than aware. He may have been sleeping here a fair few days, more ragged ones being put out now when there’s not enough to go around. ‘Don’t you know?’ I says. ‘The Shinners have grabbed the city by its nethers this morning and they’re not going to stop until the whole place is sunk beneath itself’. He’s straining to look around. ‘Oh’, says he…’I could hear something alright, but on account of taking de drop, I thought it might be just in the ears.’ I tell him it’s going on since eleven this morning and no doubts will get hellsbells…he’d better get himself off the streets proper. ‘The Green is full of them too I hear and they’ve captured the Castle on top, and the Post Office, look at the smoke over there’. ‘My God’, he says, ‘The buggers are stirring up trouble for all of us.’

I pick up the garment Molly flings at me, her right hand now wristletted by a thick gold chain. I pretend I haven’t seen the sparkling jade brooch you’d see on one of those elegant ladies gliding into the Abbey Theatre of an evening. I’ll hide it from Molly, I’ll hide it from Jimmy. I’ll keep it planked in the pantry, maybe in the sugar bowl. If he loses at cards again this evening I’ll have something to take to the Pawn shops in Capel Street later in the week…if there’s a Capel Street still standing after all this is over.

Molly runs over and says, ‘Jesus Kathleen, your Jimmy’s up there, squeezed into a window at the very top of the GPO, screaming his lamps off, guns blazing!’ We lash up the pathway on the other side of the road, past the fruit sellers hiding under their stalls, a bread & milk van turned over, some youngones running with tins of bully beef, soldiers from our own side shouting: ‘Qut! Out! Get out of the way, looters will be shot!’, until we’re facing the main windows at the front of the building. By Jaysus there’s Jimmy, the big wide jawbone on him, and a gun alright, along with his gunner eye, pointing up into the sky shooting at any clouds that happen to be passing by. ‘He’s lighting up the sky over Ireland!’ Molly roars, busting her sides laughing, ‘Jimmy! Jimmy! The enemy’s down here!’ But he’s off with his own heavenly army in some other direction. ‘Grab what you can Molly,’ I says. ‘These are going to be tough times ahead for the likes of us, and I’ll deal with that eejit when he lands back down in the new Republic in the morning’.

About junecaldwell

June's short story collection Room Little Darker is published by New Island Books in May 2017. She's a prizewinner of The Moth International Short Story Prize and has been shortlisted and highly commended for many others including: Calvino Prize in Fabulist Fiction, Colm Toíbín International Short Story Award, Sunday Business Post/Penguin short story prize, Lorian Hemingway (USA), RTÉ Guide/Penguin Ireland and Over The Edge New Writer of the Year. In 2010 she received an Arts Council of Northern Ireland (ACNI) bursary for fiction. Her work has been showcased at the Italo-Irish Literature Exchange in Nogarole Rocca / Verona (May 2012), Read For The World (June 2012) and Bloomnibus (June 2013) at the Irish Writers' Centre, Galway Pro Choice (Aug 2013), Over the Edge Galway (Dec 2013), Stinging Fly Spring Launch (March 2014), At The Edge, Cavan (May 2014), The Winding Stair Prizewinner's Reading (Sep 2014), One City One Book: DLR Lexicon Barrytown Trilogy reading (April 2015), Hodges Figgis Book Festival (Oct 2015), Bogman's Canon Fiction Disco (Nov 2015, April 2016), Doolin Writers' Weekend (March 2016), Five Lamps Arts Festival (Mar 2016), National Concert Hall: Kevin Barry Recital Room series (April 2016) and the Eastrogen Rising: A Rebel Cabaret. Her creative writing has been published in Woven Tale Press, The Moth, The Stinging Fly, Literary Orphans and Popshot, as well as a non-fiction biography of a Trouble's moll with Gill and MacMillan in 2006. Her short story 'SOMAT' is published in The Long Gaze Back: The Anthology of Irish Women Writers, edited by Sinéad Gleeson/New Island. Journalism: The Gloss, The Guardian, The Observer, Sunday Times, Sunday Life, Sunday Tribune, Sunday Business Post, Sunday Independent, Ireland on Sunday, Irish Independent, as well as a number of women's magazines and trade journals.

Posted on November 3, 2016, in 1916, Art, Death, Ghosts, History, The Rising, The Short Story and tagged , , , , , , . Bookmark the permalink. Leave a comment.

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