He turned onto Moore Street where his Ma slipped on a rasher and croaked. That was a good while ago now though he couldn’t be sure, it was all mushed. ‘Coconut head’, she’d called him in her fond no vodka moments, not because of the shape of his noggin but for the way his Da kicked the nelly out of it, side to side, smashing him into navy dots. Army boots with a clown’s mouth rip covered from the inside with a plastic Knorr soup packet to keep the rain out. She thought it was gas. Seemed a bit twisted to him now. He still snagged memories of her freckle-splattered arms doing the octopus sway in the bingo halls here when he was knee high to an ashtray, small as a mouse’s diddy.
Aul Ones with Rothmans-stained chins shouting, ‘Two fat ladies, go on Jimmy, get up and run, thirty one…dirty Gertie, clicketyclick, staying alive, eighty five!’ Some were able to handle four and five bingo cards at a time, marking the numbers like Phil Collins on drums. Bash bash bash. He’d lay on his spindlies gazing up their A-Line skirts, musty whiff of brown tights on an afternoon in November 1970-something. Disco lights, apples sours, dusty bin.
Now he was out of the Seventies into a new Century where the whole world had descended onto the same street. “Anthony! Anthony! over here!” yer one shouted. A right carrot top. “This way!”
He hoped she wasn’t a social worker. Bottler, not Anthony. No-one called him Anthony these days. He couldn’t stomach those smug tarts from the Health Service Executive. He hadn’t practised what to say but his choice if she gave him one would be a course on computers. They’d blinked by him the years he’d been on the gear. Missed the whole digital revolution. Couldn’t even look up The Google now. Survived on stale pineapple cake and sloppy kebabs from out-of-date food skips outside Aldi. Got by on mobile phones. Plucking them from Luas carriages. Selling to teenagers in pink lycra. He felt bad about that shit. Pinching, grabbing, punching. Felt bad about not remembering. Found out in rehab over a cup of Rosie Lee that he’d slept in a dog kennel for a year, had half his guts removed, grew a batch of holes on his tongue the length of a scallion. But his Da was right, all you had to do in this life was survive no matter what and hope a rhinoceros doesn’t shit on your head.
She was standing on the corner at Buffet 79, holding a plastic folder, looking the mutt’s nuts.
“So nice to finally meet you! I tell you what, you’re a hard man to get hold of! We’ve been writing to you for weeks. Well look, you’re here now, thank God you answered your phone. I’m Aoibheann!” She was gripping onto his arm like they’d known each other since nippers. He was throwin’ a reddener on account of her being so over fucking familiar ‘n all.
“Howayea,” he said, unhooking her. “Ye alright, wot’s de buzz?”
“This is it here, what do you think, huh?” Hadn’t a crusty what she was on about. They were outside an orange building with spitting air vents and roast duck stink. A poster with ‘group love’ on the wall and a load of slappers in red Tulip dresses dancing in a circle. She stuck a folder into his hands. Snap of a man facing sideways with a giant hooter on the cover, military uniform, oval cloud of mist behind him.
“I know what you’re thinking, not much on the outside. That was the planners’ intentions, you know, to retain the façade throughout the lane way, renovating the inside a la modern day.”
Her voice trailed off as he glanced at more posters on the opposite wall: a gold man pulling his torso apart to get to the gold coins inside him. Paul Weller looking on in dark glasses, arms folded. Two dykes sitting up on new Audis, whipping the bonnets goodo.
“There’s only sixteen apartments Anthony. You’re in the Padraig Pearse suite. Well now ‘suite’ is a bit American isn’t it!? I prefer to call them apartments or you might like ‘flats’. Whatever you’re comfortable with. Sure we won’t argue over it!”
He’d slip her one alright. Queer bit of skirt. Air bags knockers. Cheese puff lips.
“Will we head in so, shall we? Do you know who this is Anthony?” she asked, pointing again to the big-nosed spamhead on the brochure. “It’s Pearse himself! This is where it happened. Well, here and up the road…whole block is on the Record of Protected Structures now. While the main building is a good bit up, this is where a lot of the men actually died. Though it was a new beginning for the rest of us, that’s for sure, but oh God” – she stopped to grab her heart through her mint lambswool jumper – “It’s a desperate sad story. Brutality of it. Dozens fell on the stones right here. Bled to death in the gutters. O’Rahilly, riddled with bullets, managed to pen a letter in his own blood to his wife and kids. Sure you wouldn’t even have time to send a text these days, can you imagine?”
Well yeah, he could. It was in an alley just like this that they dealt with Scuttler for a €500 debt. Still gave him the night rattles. Draino sticking the knife in just above the belly. Flipping the fucker over to get to the spine. Doin’ his girdle sack, screams, like a girls’. ‘Shut that cunt up till I get the work done,’ he told him. Slicing upwards to make sure he was paralysed. Chinee sticking his head out from the back of a restaurant door and shutting it again, pronto, bolts clanking. Rain coming down, steel pin rain in goose grey, washing yer man’s wails away. Bleeding out. They lit two joints, watched him wriggle. “It’ll be over in a minute, stop stressing!” Draino roared. “I thought you’d take it a bit better than this, for fuck’s sake!”
“This is the entrance hall to the apartments,” Aoibheann explained. “The walls tell the stories of the ordinary lives, OK, not just the heroes! See this little man and woman, James Rooney and his wife Cora…they were in their eighties…braved the machine gun fire to hide some of the men in their basement that day, 29th April, 1916”. She turned to her paperwork to double check the date. Then pointed to a laundry room out the back and a shared shed for storage and locking bicycles.
“Fair balls to them,” Anthony replied, though to be honest, they looked like a right pair of spanners. The woman in particular.
“And here we have The O’Rahilly’s letter to his wife. We got a calligrapher from the National College of Art and Design to do it in gold leaf and flecks of bottle green. Beautiful isn’t it?”
Darling Nancy, I was shot leading a rush up Moore Street, took refuge in a doorway. While I was there I heard the men pointing out where I was & I made a bolt for the lane I am in now. I got more [than] one bullet I think. Tons and tons of love dearie to you & to the boys & to Nell & Anna. It was a good fight anyhow.
Names of more hoagies doused on the plaster, fucking eejits who shot themselves trying to bash down doors with rifle butts to save their own arses. Whacked some of their mates in the scuffle. Others lying with bits of legs hanging off, firing off orders. James Connolly on a stretcher, guts dangling. Some wounded plank tripping over him with all the gunsmoke, grenades and other shit the Brits had at their disposal. Must’ve been a right bunch of psychos. Photograph of a nurse who’d booted around like a blue bottle with messages for the main boyos, trying to get them to grab the white flag. He remembered none of this from school. The Safe Cross Code, how clouds formed from condensation, Christmas carols in Irish. That’s what he remembered in eight years of primary school. Not these maggots.
“This is your apartment, No. 3, well, that was the date Pearse was executed: 3rd May, they’ve thought of everything.”
His apartment? Was she a fucking brandy snap short of a picnic? But he’d keep stum, say nothing, sign nothing. A short stroll around a sitting room painted in hospital white looking out over McColgan’s Butchers. Her talking shite about skirting boards a quarter up the wall for an easy clean, plug holes, an interactive Wi-Fi telly with built in CCTV, steam mop in the cupboard. It was a lottery system, with all their names bunged in from the Rehab gaff. Irish men and Irish women, in the name of God and the dead generations, and whatever else. His name, third pulled. Lifelong sublet deductible from the scratcher. Part of the planning regs for the commemoration block and new Insurgents Visitor Centre.
“You have twelve days to sign the lease and get the documents back to Dublin City Council, OK? The address is here,” she told him, rubbing her fingers up and down where Pearse’s hoop was at the back of the brochure. “Make the most of the opportunity Anthony. You’re a hero now in your own right, the way you’ve knocked the drugs on the head for good. How long is it?”
“Two years,” he told her. “This Christmas or thereabouts, anyways.”
“Well good for you,” she said, “You should be well proud!”
He knew plenty who died for Ireland or because of her. Hasslebat, with his ginger eyebrows lit up like hot worms in a snow of forehead. Face half eaten by his own Jack Russell after overdosing in a boat-house down the canal. Gonzo and Widearse Wendy in a car smash down the docks when they were sleeping rough in the Punto. Many more in slob fights, knife slices, ganger brawls. He’d been too out of it in those times to make any of the funerals. Didn’t see the point when they were already wormfood.
If Pearse could be President of his own Republic, then he could be too. Sixteen thousand troops swarmed into Dublin in 1916 to wreck the bleedin’ gaff. That was more than the entire Garda Drug Squad and army reserve now. Who the fuck did they think they were!? He’d call up his troops too:
Dickie who’d do anything for a six pack of Dutch Gold. Brains, the nasty little dwarf from up around Sheriff Street who’d stick a gun up your hole quick as a bum doctor in the Mater. The Finglas twins who loved to scrap for no reason, mad bitches. The preparation would have to be secret, no dribblers, no rats.
He could see himself in full Pearse pose swaggering down Moore Street commanding the charge: “We’re going to take on the Somali pushers,” he’d tell them. “Yez’ll horse up the lane here when I give the word”.
Each of them swinging a fifty euro shooter.
“We’re putting a stop to this Zimovane shite the kids are selling for €8 a pack. It’s feeding their gaming addiction. Only a matter of days or weeks before they’re snorting the yayo or chewing the gat, are yez hearing me?”
“Yes Bottler!” they’d roar. “Yes Bottler!”
“We’re gonna free all those hookers they send into Jury’s Inn to suck off concert promoters, there’ll be no women sellin’ their holes in my Republic.”
“We’re gonna clean up this town, no more stabbings or stupid fucking killings.”
“We’re gonna bring eternal peace to these poxy streets.”
“We’re striking for freedom, do yez even know what that means?”
He stared across the sitting room towards the microwave. Never thought he’d own one of those pingers. Draino would be out of the clink in two years and he didn’t forget. No matter where he was, he’d find Bottler. Oh his Ma always said he’d be kicked to death by some loon if she didn’t get hold of him first. Her arthritic claw reaching down the banisters, pulling him up onto the landing…stamping on his ankle bones when he was cowering on the ground before she’d start proper. It wouldn’t be that hard to find a plonker to sell a pizza warmer to. Had to be worth at least a tenner up around Argos. He took the SIM card from the phone, flicked it into the fancy swing bin, grabbed the keys. Snatched the €100 Dunnes Stores voucher Aoibheann left for ‘essentials’, mozied to the door.
“Losers!” he screamed at the faces pinned to the wall. “I’ve never seen a bigger bunch of fucking losers!”
** This story was short-listed for the 2016 The Sunday Business Post / Penguin Ireland short story prize. It was also read at the Bogman’s Canon Fiction Disco and Staccato Spoke Word night in Toner’s pub, Baggot St.
Did I ever tell you about my youngfella? He’s passed now, bless him. I said, ‘Don’t go out, not today, I’m warning you, I’m a witch!’ That awful cheeky smile. ‘I won’t be late Ma!’ he roared. He was a bit of a rossi, like you. The two of you would’ve got on like nothing else. An old broom knows the dirty corners best. ‘We’re having gammon steak!’ I shouted after him. ‘Don’t be late!’ Him running like a hare on a skateboard. He loved my gammon with those fluffy crinkle chips. Actually you rarely see them around these days. Crinkle oven chips.
His friend with the one eye, always a heap of trouble, knocked up at 6 O’clock. Entire family were oddball. Red hair, rust tempers. Mother had been a bit of a pro in her heyday. Rigid as a wooden leg now. This kid was pure wild. Knife in the eye by his own hand. Said my youngfella had crashed on a motorbike up at the green. Come quick. His leg was caught. Stolen motorbike. We’re talking back in the day when the priest and the local guard could put you away for pinching a few sweets. Meaner than a butcher’s cleaver. Well my first reaction was to clout him around the ears. Give him a good puck. ‘I knew it!’ I roared. ‘I told him there’d be wigs on the green!’ Smashed in four places. Six weeks in the Mater. Pale as egg white. Hubby was furious. A wild goose never reared a tame gosling.
De hubby always kept the roof up which is more than I can say for a good few around here. Good at DIY. Planted a war garden. We’d everything out there. Marrows, even. You don’t get to see many marrows now. Marrow stuffed with spam. Marrow jam. Thrilled to the marrow I was. Then there were rhubarbs the height of giraffe legs. Spuds, peas, beans of all kinds, parsley and lots of it. He was hard on my youngfella. Very hard on all the boys. Ignored the girls. Well that’s what Louise says now. ‘No boys will queue up for the likes of you!’ he told her. She’s glad of it really because she feels around the same as a local anaesthetic for him. Though sometimes she can’t make up her mind. She’s like you. Indecisive. Rattle of fidgets and jumps. Won’t visit him in the home but wants it known to the rest of us she feels nothing. Makes a big almighty thing of it. Though I love her to the spine, she’d melt the fine hairs in your ears. I wish her luck with her own now. Her two are dreadful snobs. Though I will admit they speak very well. You can’t buy breeding and that’s the truth.
Well de hubby said he’d wait until my youngfella got home and he’d break the other leg. Took the motorbike to the Phoenix Park and went pure absurd on It. Tearing up the bark of trees, over newly planted corporation flower beds, into the groove of gates. Now de hubby can only take so much. He has a little bit of a temper. It’s not his fault. His nerves are in the ha’penny place. Always have been. I’m the only one who can deal with him. Know him like my own teeth. Never left me short of housekeeping. I always told Louise and Juliet to marry a man with money. It’s a miserable enough life. De hubby had a good job. Sure the ones around here were always saying that to me. ‘Your fella would buy and sell ye and rent your leg out in flats.’ Youngfella stayed with my aunt for a few weeks until de hubby calmed. ‘Let it be a lesson to you,’ I said to him. ‘I told you not to go out. I told you I was a witch!’
He’d ask me things after that, my youngfella. ‘Will I put in for that apprenticeship Ma?’ ‘Is there any point doing a stuntman course?’ I knew if he went off to England it’d be no good for good. This time I didn’t say as much. Sure he was a grown up, sure and simple. Years ago, before your time, people kept it fierce quiet when they went away to the sooty place. Bit of a shame attached to it. A golden ring can tie a man as tight as any chain. Aunt Florrie said the day hers left for England she had a proper wake for him at home because she knew that’d be it. Sandwiches and porter, a glass raised to the wind that carried him, may it bring him back if it had to. She was a diviner for sure. No-one down Clara way liked her. Told people they wouldn’t come back from the war. She was the one who cooked over an open fire, long after they had electric cookers. Amazing pot roasts. Caraway cake like I’ve never tasted before or since. My own mother couldn’t copy It, not for the job of trying. She read the flames in the fire. My mother, that is. Told people what might be ahead for them. What to look for. What to avoid. Who to love. Who to clear run from. Well that was her sister Florrie who was a bit of a witch. Like me.
When my youngfella went away to London, sure he was sheer lost. Never ask a fox to mind the hens, isn’t that what they say? Never buy bread from a butcher. He got the first one pregnant. That’s what they do now. Women don’t seem to take care. She ran off with the two kids up North. Got with dem Rastafarians. He never got over that. The second yoke, let me tell you, she was a right yoke of a thing. Jesus, the bake on her! You wouldn’t roast it on a fire. Upturned nose you could plant a fir tree in. That’s when the drinking got out of hand. I warned him to watch his health. ‘It’s in the family,’ I said. ‘A man too busy to take care of his health is like a mechanic too busy to take care of his tools.’ Oh he laughed alright. ‘Ah Ma, you still think you’re a clever old witch!’ Nonetheless he gave me that look. ‘I’m serious,’ I told him. ‘Look after your health…He who never was sick dies the first.’
Yer woman never cooked from scratch. Too busy throwing it about. I wouldn’t expect my youngfella to have a go. Sure de hubby could only boil an egg most of his life. The men need a good woman. A dishonest woman can’t be kept in and an honest woman won’t. In return my youngfella gave that yoke everything: new car every two years, six holidays a year. SIX! That’s some manner of madness. Ran off when he got too sick. Woman like a goat, woman of rushing visits. Her crowd, common as beetroot water. You could tell by the gait of them. Standoff at the grave was something else. Spread your cloth only as you can draw it. Even the priest came over to our side when he heard she’d deserted. Unheard of under the circumstances. What he must’ve gone through in that downtime, I can’t bear it! Oh Christ, such heartache! I’ve put my treacle jinx on her. Right bitch. Now I don’t say that too often about anyone. A closed mouth can only lead to a wise head. That’s how I would normally approach things.
The saddest part is that de hubby keeps asking about my youngfella now. Won’t accept he’s gone. Well that’s part of his condition. Can’t keep up. Doesn’t know one minute from the one sitting beside it. Louise says he’s half pretending. Suiting himself. A greyhound finds food in its feet kind of thing. Bit like yourself. Sure you suit yourself too, only coming in here when you’re looking for something! Must be a male thing. I told him the first few times he’d died. Then I said I’d go with it. Now I tell him he’s out planting in the garden. Trimming rhubarb so it won’t get too carried away with itself.
I saw de gettup of you earlier. If you keep behaving like that, I’m telling ye, there’ll be a sore price to pay. Be in here by 11pm. ‘Don’t be late. Don’t stay out. There’ll be wigs on the green!’ You might think fences have ears but if you’re not back in here by then, the flap is shut. Don’t blame me if you come to no good. You could get your backside eaten out there. When the sun puts her head down for the night, the raw moon is not as accommodating. I’ve seen you chasing your head in its own shadow, making a mighty show of yourself. Like a lame man’s legs which hang useless. You’d sauté your soul to grab hold of a scallywag. If the ones over the wall got hold of you there wouldn’t be a sneeze’s second before they’d savage your eyeballs, spitting them out for toast. I’m no daw. I know how it works. Everyone is wise till he speaks.
When my youngfella was lying in that hospital bed in terrible pain de hubby wouldn’t even look him in the eye. A right rossi, there is no expert without a fault, ain’t that the truth! ‘Da, I’m sorry Da, it was stupid, I won’t ever do anything like it again. I promise.’ It’s not like de hubby was extra hard, but he was the type who meant what he meant. Too much happened for him to act any different. One of the gang my youngfella hung around with ended up with The AIDS, doing half-witted robberies to feed his habit, before his lungs flooded him out of the picture. Another died at 21 from a beating in a public swimming pool in New York. Both their aulfellas were much harder than they ever needed to be.
If my two hadn’t have ignored each other for those years after – God never closed a gap but that he opened another one – the time now might be a different tide entirely. I will be honest with you here, I will, would my youngfella have been so quick to get himself over there, out of reach of here, had he have been able to patch things up? If de hubby just talked to him without the slippery ropes. Telling him that a bad path in life only rains soup and he’d have no hope going out in it armed with just a fork. But de hubby was always the belly depth of stubborn. He just stared out the hospital window into the car park beyond, the type that knows too well a silent mouth is musical.
*This story got an ‘honorable mention‘ in the Lorian Hemingway prize in the US and was long-listed for the 2015 RTÉ Guide/Penguin Ireland competition.
The totally wonderful and short story obsessed Paul McVeigh – whose blog on all manner of creative writing is the best I’ve ever read – invited me to join this blog tour, though I’m horribly late given the month that was. Paul is a short story writer, blogger of renown and curator of the London Short Story Festival at Waterstones in Piccadilly. I took part in a blog hop last year too, asked by another wonderful writer and having read what I wrote then, I haven’t moved an inch. Sick family members aside (one dead too soon, one toying with the notion, the other hoping for renewed life beyond), it’s very hard to etch mental space to write but it’s still not a legitimate excuse either. Two months ago I pulled the old musty back bedroom apart, got the walls slopped in ‘warm grey’, carved out some book space (well, IKEA billy book cases), shoved in a cheapo writer’s desk, a lovely new bed, lobbed Annie Sloan chalk paint on the woodworm wardrobes, bribed a mate for an old rocking chair and away I went. This is the year it happens, says I. God belss June and all who ride and confide in her.
1. What am I working on?
I’d love to say I’m working ‘on a collection’ of short stories, because that’s oh so in vogue. Something’s happening with Irish writers at the moment a bit like the property bubble. Nothing less than a collection and even better if it’s a disaffected theme: gouging the retina of the young male psyche, drug-addicted Georgian basement flat living, a swanky flâneur destined to skim the city sewers in a terminal loop looking for mislaid love, stories from a fucked-up suburban street (twitching curtains, lawnmowers, Shepherd’s pies), or the ageing psychopath’s screaming regrets in rural Ireland, all rolled into a tar barrel with a dead woman decomposing in a purple wedding dress. Humour and intolerance get in the way. Once I tell myself to write on a certain theme, I can’t be arsed with the mental rigidity of it. I hate being told what to do.
Last year I was stuck in rigamortis fiction, some stories published about my dead brother in literary magazines. It seemed a great way to process the shock. I thought that maybe this could be a theme if I worked on it backwards, from death to life, a bit like Jim Grace did in Being Dead (I love this book!) but off I ran on the Elipsos overnight train to Spain with my repackaged grief. I toyed with the idea of a ‘Dublin city’ book of stories but it seemed so vague and pointless, the kaleidoscope of packed place is no longer interesting or fun. Phases of life. A collection based on lovers. Places I’ve lived. People I’ve met and hated. My years as a journalist shouldn’t be wasted. I could take snippets of real stories, steal the kernel and crumple into something new. A plotless story I wrote for Literary Orphans in the USA is based on a real snippet from a journalist pal: a junkie having his ass robbed [of drugs] in Talbot Street…it never made the papers. The editor thought it was too unsavoury, so I stole it instead. Another story remnant I sent off for a competition was based on a man who lived in a tree in Broadstone in Dublin 7 for the last few years, before he was dispatched, unmourned, to the madhouse. So, real stories, with an unreal twist, maybe. Where an ex journalist sees some unholy scrap of truth and does something with it.
After that’s over, it’s back to the Domestic Blitz novel that’s more a ‘movel’ – part fiction, part memoir – a longer project that’ll take me into winter and some of next year. There’s already periphery interest in this from a potential agent in UK so I have to take my time (now that my time is back to being my own) and feel satisfied with what I write and how I write it. At the moment it’s blather fragments written in two time frames and it’s not exactly gelling. I know instinctively it will work if I get into it. It has universal appeal. My heart is in it. The story is worth telling.
I even know what I’ll write after this is done, a story I ditched about one of the missing women, told backwards from two perspectives. I tried that on the MA at Queens’ and got caught in a hamster run. Stories for when I’m distracted, novel as a means of protracted focus, a novella I promised a dead woman I’d write if it killed me on the situation that killed her. In a nutshell.
2. How does my work differ from others in the genre?
Er, dunno. Social surrealism. I write like Joyce, says one (being all tea party nice), but I don’t at all! A nice lady whose course I was on a while ago said I write like Eimear McBride; the new best thing since the electric waffle maker. Anne Enright, sort of (yeah right!). An old humper from the past (now a novelist himself in London) emailed to say I write like David Foster Wallace, though his marriage recently ended and he might be trying to get his cyber leg over. I think comparisons with other writers are silly, hard to live up to, useless. I value and look forward to difference in writers, not sameness. I don’t know who I write like but I just know I get in a zone where sometimes I don’t even fully understand the language incursion, or the voice that ‘happens’ or the tone or the story or the need to write a certain way. There’s definitely a rage there and a feeling of ‘I don’t have a reputation to lose, so I’ll write it like this anyhow’. I even know when I’m writing something that it won’t be popular, will probably make a decent editor barf and a reader unfriend me on Facebook, with any luck. I also feel it could be different because part of me never wants to write for publication, so I don’t target it that way. The freedom of an affair! What I do know is there’s a lot of good people giving me the thumbs up at the moment and it feels very odd and reassuring.
3. Why do I write what I do?
I’ve no idea. Am I supposed to say it’s cos I’m lonely? I’m not. Writing is hard. But there really is nothing else.
4. How does my writing process work?
Snippets of mind dust. A journo interview I did a decade ago still haunts me. A woman being told in the early days of training to ignore a phone box in O’Connell Street where boys were being brought to and abused. The magazine in question didn’t want the feature in the end, as it seemed a bit libellous and kooky, but I still have that info and want to write it as a fictional story. Another who sought out a journalist to expose a cult who allegedly forced her to have tantric sex and when her husband found out, he dumped her. If the group was exposed then the husband would leave her best friend he ran off with and take her back (I’m not even kidding!) The radical feminist with the tea cosy on her head who’s spent a lifetime already living off men but fails to see the structural flaw in her politics. The man who chopped off people’s fingers in the Troubles and kept them as souvenirs. A swinger who travels the length and breadth of Ireland shagging abandoned wives but cries his lamps out because his own wife won’t dish up the turkey. A child who told her teacher that mummy ‘makes fire’ on her legs. An alcoholic taxi woman raped as a child by a farmer who used butter so he wouldn’t hurt her too much. Stories we tell each other in semi-occasional moments of privacy or hilarity: ‘I can’t print this but wait ’til I tell ye…’. Stories full of holes and for the birds. Start with a sentence that makes you sick or scud. I don’t want to write about good or perfect people. I don’t see the point. At the moment I’m writing Jesus of Wexford for a competition in July. I haven’t sent anything off all year so it’s a good self-recruitment exercise. He lives in a wheelie bin and his bible is a pizza box.
At some point I always manage to disturb myself and leave whatever I’m trying to write aside…I may dump a work in progress for good or come back to it. I don’t really know why I write, but as I said in a recent Irish Times article:
This is about spilling your guts in a dignified way, but don’t be frightened if a speckle of madness rears its head, too. Let it bring you where it will; don’t look back. Be excited. This compulsion is a courtesy, not a curse. Don’t compare your writing to others’. Instead get totally obsessed with what you want to write and start chewing the cud of the storyline or idea every day. Feel the words, develop a voice, put manners on your demons, write regularly.
I’ve nominated three writers I love to answer these same questions how they see fit… look out for their blog posts! Two are in a newly-formed writer’s group (with me!) and all are friends! Oh and one I roamed the streets of Dublin with at age 13/14 during the feral mod years. They’re all stupidly talented, dedicated, quirky and wonderful. Enjoy.
Alan McMonagle has published two collections of short stories, Liar Liar and Psychotic Episodes. Earlier this year his radio play Oscar Night was produced and broadcast as part of RTE’s Drama on One season. It’s about two sweet old ladies who go to the bad when their annual ritual is interrupted by an escaped felon.
Doodle Kennelly was born in Dublin and spent her early years there. As a teenager, she moved to the United States, to Massachusetts, where she completed her secondary education. Later she returned to Ireland and attended the Gaiety School of Acting. In addition to her regular newspaper column, she has published autobiographical essays relating to the subject of female identity and body image. She has also appeared on national television. Doodle is the proud mother of three daughters; Meg, Hannah and Grace Murphy.
Lisa Harding completed an MPhil in creative writing at Trinity College Dublin in September 2013. Her short story Counting Down was a winner in the inaugural Doolin writer’s prize 2013. This summer she has been short-listed for Doolin, Cuirt, Listowel and the Bath short story awards. A story Call Me Moo is to be published in the autumn issue of The Dublin Review. Playwriting credits include Starving at Theatre503, And All Because at Battersea Arts Centre (as part of an emerging writers festival: Connect Four) and Playground at the Project Theatre Dublin. She is currently working on a new play Pedigree for which she was awarded an Arts Council bursary and a Peggy Ramsay award. As an actress she has appeared at the Gate, the Abbey, the Lyric and on RTE, among others. Her collection of sixteen short stories Crave is a work in progress, alongside an embryonic novel with the working title: Transaction.
Pain in me love spuds. On Moore Street the aulwuns are wailin’ bananas four for €1.50! while Madikane is tryin’s to drag me ta’ Wire Corner where Ruskies in blacked up four by fours drop off bags a’brown under the gawk of a goon with binos above in the unwashed windows of the apartments over Tesco. Slug killer she said to nab to mop up fat, black slime-balls trailing across the carpet. There’s an iPhone booth stuffed with hookers’ ad-cabs offerin’ smartin’ arse cheeks for bad-boy trainin’ and a fat pleb sweepin’ up nose gravy.
Not even the dill pickler Poles providin’ brassers for horny and abandoned nugs inside Jury’s Inn, or the Somali crack-hustlers <”Meth €20 a rock!> stop off at this spot. Best ta’ get out of dis hole Madikane I tells her and keep yer whims about marryin’ a gangy for a baby, bling alive as hive any which way you want it.
Two hefty yanks in tartan shorts and puke green & yellow polo shirts butt in. “Excuse me sir, where’s the spire, the O’Connell Street spire?” squashed nose asks. Scuzze me, scuzze me, are ya’ blind or wha? roars Midikane with her anti-Gathering gobbin’ and her pointing backwards. Doin’ me bit for da country I jump in: Ya see that giant needle stickin’ straight up God’s jacksey, right there..that’s it! Oh my, yankee doodle says. Oh my.
Before Madikane has de tramp’s claw out for da price of a cup a tay me head jerks and turns to a horsebox of knocked up wimmin outside da Rotunda; balloon-bellied in frog pyjamas puffin’ away while scangie-gangies in Adidas play rocks, scissors, paper guns with each other. Air bullets in the atmos. Gulls plop their spunky payloads on the pavement, King Leers smirk from taxis and bus stops, kids squashing their kidneys in railings, drills and beeps and howling, cranking umbrellas open on the dozen.
There‘s no slugs I says to her dat morning. Eyes on me like it’s ten seconds to go on the X-Factor final. Hoppy hoppy. Curse ders bleedin’slugs I ain’t no thick mo-fo she says. I says it’s the garden. You’re not used to having a garden and the shed going in is after freakin’ ye right out. I can ask the landlord to get rid if you’ll only calm down a minute. It’s not the fucking shed I’m not mad she says I’m skiing on the fucking things. Ders something wrong with you not clocking dem! Slugs on her legs. In bed. On saucers. Inside the hotpress. They’re even in the high gloss kitchen she says. Wot? Your head is blowin’ since ditching de skank with my noggin’ taking a right rumble on top, not easy doing it like this, I says, maybe we were better off back then in de squat with half-o-nothing. It’s not my fault you’re blind as a crow, she says. I never knew crows were blind, but I’ll take your word for it I says. Off I go.
There’s a church in Parnell owned by the prods. Black calp, dark in rain, murky baked banana cake. Backwards after midnight under full moon, devil’s yours. Not the kind of gizmo for a priest with a beard and guitar singing Stairway to Heaven to make the likes of me feel all furry. I don’t bash grannies no more, dat’s gone. Clean as a spleen five hundred and thirty three days, going backwards, learning about computers and plants, painting walls and budgeting. I go there to pray, ye can laugh yer nebs off but it’s been happening sure as shit, and him talking back sayin’ he knows I’m taking some gamble, appreciates what I’m going through ‘n all, but I gorra shun the bad road ahead, narrow, strewn with thorns; dem people who walk along it, spine tears and all kinds of suffering befalling, big cunting wheelie-bin of vile words, curses and blasphemies, each eye ball looking on to another of the eyeballs, twice the size of earth, gummy as honey, seeing on to nowhere. You don’t want to be doing that son. No way hozzay, I says, no way Mr Righteous, Top Man, you know more than most, took the bullet for us. Well keep coming back here to pray then he says.
It’s hot as snot in here. She’s never in the mood and me forever on the soft. So I took the Moore Street card into the church, Deirdre the Dominatrix. Wonderful Corporal Punishment. Tie & Tease. Guaranteed Happy Ending. Sitting on red sofa red tartan slippers red PVC red sky. Has Peter been a naughtie boy? Well, yeah, I suppose. Suppose is not enough she says. Suppose is for morons. Has Peter been a naughtie boy? Yeah, a dreadful boy, totally banging I says. And then him hanging there kinda implying I’d take the lad out and sorta sayin’ I’d be cottoned onto, with the caretaker coming in, his big lumpy head, asking what I was doing. Me putting the lad in an envelope on my lap, one of those church offering envelopes with a flower stuck on it. Well give it ‘ere then he’d say, me scarpering, wood and musk laughing, candles burning, God’s pantyhose worn by a thousand shitarse clerics, all them fuckers gooing. He’s only gone and wrecked me buzz, and there was me hiding from da’ slugs in me head by playing fingermouse down the crotch, thinkin’ of Deirdre-the-Dom swaggerin around the pulpit, all proddy-proud and in full control. The lad’s no longer at half mast, flyin’ the flag now, upright and uprooted, on the road back to Phibsborough.
I get back and she says, dead casual, have ye got the bleedin’ slug killer? I left it in the church I says. You’re a stupid bollox she says. I know, I says, but I’m learning.